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Tomoko Obana and Toru Otani

Past exhibition
2022年7月23日 - 8月27日
  • Overview
  • Works
  • Installation Views
  • Related Artists

Tomoko Obana and Toru Otani

Past exhibition
2022年7月23日 - 8月27日
  • Overview
  • Works
  • Installation Views
  • Related Artists
Overview
Tomoko Obana and Toru Otani

Tomoko Obana and Toru Otani do not know each-other, however their artistic procedures are neighborly, relishing delight in cartographic compositions, found forms and in rich color; earthy to Victorian from the hands of Obana, and from Old World towards Fauve in the hands of Otani. 


For her vitrine sculptures, Tomoko Obana collects vintage, industrially produced wares such as water and perfume bottles, jugs, bud vases and more. She makes a mold of these found objects by which she produces one hundred casts; ten each of ten different types of clay slip, kiln fired with various woods, amounting to one-hundred unique “ash glazed” iterations. The artist contemplates the nuances of sooty and dappled surfaces of her objects and settles on arrangements which may, in the Western canon, resemble the paintings of Giorgio Morandi, but which, for the artist, give a nod to the aesthetic disciplines of Japanese Ikebana flower arrangements or dry, rock gardens.

For his mixed-media artworks, Toru Otani collects vintage printed packaging and building materials such as 2x4s, plasterboard and especially, sandpaper. He cuts and assembles these found materials to create the grounds on which he works with various instruments, mainly colored pencils. The artist isolates details of the pre-printed and patterned materials often found on the back-side, chooses what to reveal, what to conceal and what to connect, and settles on compositions which employ a positive / negative space logic with roots in Surrealism.

The paired presentations by Tomoko Obana and Toru Otani mark the first overseas solo exhibition for each artist. Nonaka-Hill has previously exhibited Obana’s work in not titled not untitled and Otani’s work in Busy Work at Home. Both artists live and work in Japan.

Tomoko Obana was born in Kyoto, Japan in 1985. She graduated from Kyoto University of Art and Design, Department of Arts and Crafts. Her works have been exhibited at Gallery Fukka, Tokyo and Gallery Sokyo, Kyoto. She held a one-year residency at the Shigaraki Ceramic Cultural Park.

Toru Otani was born in Kanagawa, Japan in 1988. He received his BFA and MFA from Tokyo University of the Arts. His solo exhibitions include spctrum, imlabor, Tokyo (2020), planet, Kodama Gallery, Tokyo (2017) and Casablanca, Kodama Gallery, Kyoto (2015). Toru Otani’s works are courtesy of XYZ collective.

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Works
  • Tomoko Obana 220712, 2022 Ceramic, paper, acrylic. 8 3/4 x 19 3/4 x 4 3/4 in 22.1 x 50 x 12 cm
    Tomoko Obana
    220712, 2022
    Ceramic, paper, acrylic.
    8 3/4 x 19 3/4 x 4 3/4 in
    22.1 x 50 x 12 cm
  • Tomoko Obana 200212, 2022 Ceramic, paper, acrylic. (An arrangement of three objects.) 10 x 8 1/2 x 16 in 25.4 x 21.6 x 40.6 cm
    Tomoko Obana
    200212, 2022
    Ceramic, paper, acrylic.
    (An arrangement of three objects.)
    10 x 8 1/2 x 16 in
    25.4 x 21.6 x 40.6 cm
  • Tomoko Obana 200729, 2022 Ceramic, paper, acrylic. (An arrangement of five objects.) 13 1/4 x 12 7/8 x 12 7/8 in 33.6 x 32.6 x 32.6 cm
    Tomoko Obana
    200729, 2022
    Ceramic, paper, acrylic.
    (An arrangement of five objects.)
    13 1/4 x 12 7/8 x 12 7/8 in
    33.6 x 32.6 x 32.6 cm
  • Tomoko Obana 200804, 2022 Ceramic, paper, acrylic. (An arrangement of four objects.) 6 7/8 x 4 3/4 x 7 7/8 in 17.6 x 12 x 20 cm
    Tomoko Obana
    200804, 2022
    Ceramic, paper, acrylic.
    (An arrangement of four objects.)
    6 7/8 x 4 3/4 x 7 7/8 in
    17.6 x 12 x 20 cm
  • Tomoko Obana 200828, 2022 Ceramic, paper, acrylic. (An arrangement of five objects.) 11 1/4 x 11 3/4 x 9 5/8 in 28.5 x 29.8 x 24.4 cm
    Tomoko Obana
    200828, 2022
    Ceramic, paper, acrylic.
    (An arrangement of five objects.)
    11 1/4 x 11 3/4 x 9 5/8 in
    28.5 x 29.8 x 24.4 cm
  • Tomoko Obana 200706, 2022 Ceramic, paper, acrylic. (An arrangement of three objects.) 11 1/4 x 9 3/8 x 9 3/8 in 28.5 x 23.8 x 23.8 cm
    Tomoko Obana
    200706, 2022
    Ceramic, paper, acrylic.
    (An arrangement of three objects.)
    11 1/4 x 9 3/8 x 9 3/8 in
    28.5 x 23.8 x 23.8 cm
  • Tomoko Obana 200717, 2022 Ceramic, paper, acrylic. (An arrangement of three objects.) 16 3/8 x 8 1/8 x 8 1/8 in 41.6 x 20.6 x 20.6 cm
    Tomoko Obana
    200717, 2022
    Ceramic, paper, acrylic.
    (An arrangement of three objects.)
    16 3/8 x 8 1/8 x 8 1/8 in
    41.6 x 20.6 x 20.6 cm
  • Tomoko Obana 200824, 2022 Ceramic, paper, acrylic. (An arrangement of five objects.) 12 5/8 x 12 1/4 x 12 1/4 in 32.2 x 31.2 x 31.2 cm
    Tomoko Obana
    200824, 2022
    Ceramic, paper, acrylic.
    (An arrangement of five objects.)
    12 5/8 x 12 1/4 x 12 1/4 in
    32.2 x 31.2 x 31.2 cm
  • Tomoko Obana 220527, 2022 Ceramic, paper, acrylic. (An arrangement of four objects.) 7 1/2 x 18 7/8 x 10 1/8 in 19.1 x 48 x 25.5 cm
    Tomoko Obana
    220527, 2022
    Ceramic, paper, acrylic.
    (An arrangement of four objects.)
    7 1/2 x 18 7/8 x 10 1/8 in
    19.1 x 48 x 25.5 cm
  • Tomoko Obana 220525, 2022 Ceramic, paper, acrylic. (An arrangement of five objects.) 12 1/2 x 10 1/4 x 10 1/4 in 31.6 x 26 x 26 cm
    Tomoko Obana
    220525, 2022
    Ceramic, paper, acrylic.
    (An arrangement of five objects.)
    12 1/2 x 10 1/4 x 10 1/4 in
    31.6 x 26 x 26 cm
  • Tomoko Obana 220523, 2022 Ceramic, paper, acrylic. (An arrangement of five objects.) 12 x 20 1/2 x 11 3/4 in 30.4 x 52 x 29.8 cm
    Tomoko Obana
    220523, 2022
    Ceramic, paper, acrylic.
    (An arrangement of five objects.)
    12 x 20 1/2 x 11 3/4 in
    30.4 x 52 x 29.8 cm
  • Tomoko Obana 220519, 2022 Ceramic, paper, acrylic. (An arrangement of eleven objects.) 9 1/8 x 19 3/4 x 16 1/2 in 23.2 x 50 x 42 cm
    Tomoko Obana
    220519, 2022
    Ceramic, paper, acrylic.
    (An arrangement of eleven objects.)
    9 1/8 x 19 3/4 x 16 1/2 in
    23.2 x 50 x 42 cm
  • Tomoko Obana 220517, 2022 Ceramic, paper, acrylic. (An arrangement of seven objects.) 12 1/8 x 11 3/4 x 15 3/4 in 30.6 x 30 x 40 cm
    Tomoko Obana
    220517, 2022
    Ceramic, paper, acrylic.
    (An arrangement of seven objects.)
    12 1/8 x 11 3/4 x 15 3/4 in
    30.6 x 30 x 40 cm
  • Tomoko Obana 200807, 2022 Ceramic, paper, acrylic. (An arrangement of five objects.) 11 1/4 x 22 7/8 x 5 7/8 in 28.6 x 58 x 15 cm
    Tomoko Obana
    200807, 2022
    Ceramic, paper, acrylic.
    (An arrangement of five objects.)
    11 1/4 x 22 7/8 x 5 7/8 in
    28.6 x 58 x 15 cm
  • Tomoko Obana 220601, 2022 Ceramic, paper, acrylic. (An arrangement of five objects.) 15 1/4 x 11 1/8 x 11 1/8 in 38.6 x 28 x 28 cm
    Tomoko Obana
    220601, 2022
    Ceramic, paper, acrylic.
    (An arrangement of five objects.)
    15 1/4 x 11 1/8 x 11 1/8 in
    38.6 x 28 x 28 cm
  • Tomoko Obana 220531, 2022 Ceramic, paper, acrylic. (An arrangement of five objects.) 7 3/8 x 18 1/4 x 12 3/8 in 18.6 x 46.5 x 31.5 cm
    Tomoko Obana
    220531, 2022
    Ceramic, paper, acrylic.
    (An arrangement of five objects.)
    7 3/8 x 18 1/4 x 12 3/8 in
    18.6 x 46.5 x 31.5 cm
  • Tomoko Obana 220530, 2022 Ceramic, paper, acrylic. (An arrangement of seven objects.) 8 7/8 x 24 3/4 x 13 3/4 in 22.6 x 63 x 35 cm
    Tomoko Obana
    220530, 2022
    Ceramic, paper, acrylic.
    (An arrangement of seven objects.)
    8 7/8 x 24 3/4 x 13 3/4 in
    22.6 x 63 x 35 cm
  • Tomoko Obana 220529, 2022 Ceramic, paper, acrylic. (An arrangement of four objects.) 11 5/8 x 11 3/8 x 11 3/8 in 29.6 x 29 x 29 cm
    Tomoko Obana
    220529, 2022
    Ceramic, paper, acrylic.
    (An arrangement of four objects.)
    11 5/8 x 11 3/8 x 11 3/8 in
    29.6 x 29 x 29 cm
  • Toru Otani Game Board for a Game of Unburnable Stones and Tigers, 2015 color pencil, plaster board, paint 71 5/8 x 71 5/8 in 182 x 182 cm
    Toru Otani
    Game Board for a Game of Unburnable Stones and Tigers, 2015
    color pencil, plaster board, paint
    71 5/8 x 71 5/8 in
    182 x 182 cm
  • Toru Otani House, 2022 Color pencil on abrasive paper 11 x 9 in 27.9 x 22.9 cm
    Toru Otani
    House, 2022
    Color pencil on abrasive paper
    11 x 9 in
    27.9 x 22.9 cm
  • Toru Otani Logic of Dream, 2015 color pencil on dress pattern, mounted on craft paper 59 1/8 x 46 7/8 in 150 x 119 cm
    Toru Otani
    Logic of Dream, 2015
    color pencil on dress pattern, mounted on craft paper
    59 1/8 x 46 7/8 in
    150 x 119 cm
  • Toru Otani Moon, 2013 color pencil on plaster board 35 7/8 x 71 5/8 in 91 x 182 cm
    Toru Otani
    Moon, 2013
    color pencil on plaster board
    35 7/8 x 71 5/8 in
    91 x 182 cm
  • Toru Otani Motor, 2022 Color pencil, abrasive paper, ink 10 5/8 x 9 1/8 in 27 x 23 cm
    Toru Otani
    Motor, 2022
    Color pencil, abrasive paper, ink
    10 5/8 x 9 1/8 in
    27 x 23 cm
  • Toru Otani Night Forest, 2022 Color pencil, abrasive paper, ink 22 1/8 x 18 1/8 in 56 x 46 cm
    Toru Otani
    Night Forest, 2022
    Color pencil, abrasive paper, ink
    22 1/8 x 18 1/8 in
    56 x 46 cm
  • Toru Otani Orange Knight, 2015 Color pencil on abrasive paper, suite of seven sheets 11 1/8 x 63 in 28 x 160 cm
    Toru Otani
    Orange Knight, 2015
    Color pencil on abrasive paper, suite of seven sheets
    11 1/8 x 63 in
    28 x 160 cm
  • Toru Otani Pipe and fish, 2021 Color pencil, abrasive paper, ink 14 5/8 x 13 in 37 x 33 cm
    Toru Otani
    Pipe and fish, 2021
    Color pencil, abrasive paper, ink
    14 5/8 x 13 in
    37 x 33 cm
  • Toru Otani The Sun, 2020 color pencil, paper 11 1/8 x 9 1/8 in 28 x 23 cm
    Toru Otani
    The Sun, 2020
    color pencil, paper
    11 1/8 x 9 1/8 in
    28 x 23 cm
  • Toru Otani Two Snakes and Six Suns, 2017 color pencil, abrasive paper 22 1/8 x 18 1/8 in 56 x 46 cm
    Toru Otani
    Two Snakes and Six Suns, 2017
    color pencil, abrasive paper
    22 1/8 x 18 1/8 in
    56 x 46 cm
Installation Views
  • Dsc4974
  • Dsc5328
  • Dsc4982
  • Dsc5010
  • Dsc5329
  • Dsc4995
  • Dsc4981
  • Dsc4983
  • Dsc4990
  • Dsc4994
  • Dsc5326
  • Dsc5331
  • Dsc5003
  • Dsc5007
  • Dsc5004
  • Dsc4996
  • Dsc5006
  • Dsc5005
  • Dsc5330
  • Dsc4975
  • Dsc4986
  • Dsc4984
  • Dsc4989
  • Dsc4993
  • Dsc4988
  • Dsc4974
  • Dsc5328
  • Dsc4982
  • Dsc5010
  • Dsc5329
  • Dsc4995
  • Dsc4981
  • Dsc4983
  • Dsc4990
  • Dsc4994
  • Dsc5326
  • Dsc5331
  • Dsc5003
  • Dsc5007
  • Dsc5004
  • Dsc4996
  • Dsc5006
  • Dsc5005
  • Dsc5330
  • Dsc4975
  • Dsc4986
  • Dsc4984
  • Dsc4989
  • Dsc4993
  • Dsc4988

Related Artists

  • Tomoko Obana

    Tomoko Obana

  • Toru Otani

    Toru Otani

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Contents:

Home
Exhibitions

Artist

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Contact

 

Artist Exhibited:

Kiyoshi Awazu
Miho Dohi

Koichi Enomoto

Daisuke Fukunaga

Shuzo Kazuchi Gulliver

Mitsutoshi Hanaga

Shigeru Hasegawa

Tatsumi Hijikata
Naotaka Hiro

Takashi Homma
Eikoh Hosoe

Kyoko Idetsu

Ulala Imai
Kazuo Kadonaga
Kentaro Kawabata

Zenzaburo Kojima
Kisho Kurokawa
Tadaaki Kuwayama
Toshio Matsumoto
Keita Matsunaga
Yutaka Matsuzawa
Kimiyo Mishima

Jiro Nagase

Tomohisa Obana

Tomoko Obana

Toru Otani

Kaz Oshiro
Sterling Ruby

Trevor Shimizu

Megumi Shinozaki

Kenzi Shiokava

Michael E. Smith

Hiroshi Sugito

Kunié Sugiura
Takuro Tamayama
Tiger Tateishi
Sofu Teshigahara
Shomei Tomatsu
Wataru Tominaga

Hosai Matsubayashi XVI
Kansuke Yamamoto
Masaomi Yasunaga

 

Exhibitions:

-2025- 

KEY HIRAGA: The Elegant Life of Mr. H

We Like Us

SAWAKO GODA

TAKESHI HONDA • TOMOKO OBANA

-2024-

JIRO NAGASE

ULALA IMAI: ARCADIA

MIHO DOHI

KYOKO IDETSU: What can an ideology do for me?

KENTARO KAWABATA / BRUCE NAUMAN

SHINJIRO OKAMOTO: TALKATIVE

SAORI (MADOKORO) AKUTAGAWA: CENTENARIA

Keita Matsunaga : Accumulation Flow

-2023-

NONAKA-HILL ♥ TATAMI ANTIQUES: A holiday sale of unique objects from Japan

TAKASHI HOMMA : REVOLUTION No.9 / Camera Obscura Studies

TATSUMI HIJIKATA THE LAST BUTOH: Photographs by Yasuo Kuroda

Sanya Kantarovsky: TO PRISON – with selections from Tatsumi Hijikata The Last Butoh, Photographs by Yasuo Kuroda

Kiyomizu Rokubey VIII: CERAMIC SIGHT

Megumi Shinozaki: Now/Then

Kenzi Shiokava

Kokuta Suda: Okukō 憶劫

Masaomi Yasunaga: 石拾いからの発見 / discoveries from picking up stones

Kazuo Kadonaga

SHUZO AZUCHI GULLIVER  ‘Synogenesis’

- 2022 -

Koichi Enomoto: Against the day

Shigeru Hasegawa: painting

Tatsuo Ikeda / Michael E. Smith

Hiroshi Sugito: the garden with Zenzaburo Kojima

Zenzaburo Kojima: This very green

Tomoko Obana and Toru Otani

Tomohisa Obana: To see the rainbow at night, I must make it myself

Daisuke Fukunaga: Beautiful Work

not titled not Untitled

- 2021 -

Kentaro Kawabata: 凸凹 Bumpy

Natsuyasumi: In the Beginning Was Love

Takashi Homma: mushrooms from the forest

Busy Work at Home

Ulala Imai: AMAZING

– 2020 –

Hosai Matsubayashi XVI & Trevor Shimizu

Megumi Shinozaki: PAPER EDEN

Sterling Ruby and Masaomi Yasunaga

Kaz Oshiro: 96375

Sofu Teshigahara

– 2019 –

Keita Matsunaga

A show about an architectural monograph

Tatsumi Hijikata

Eikoh Hosoe

Yutaka Matsuzawa
Yutaka Matsuzawa through the lens of Mitsutoshi Hanaga
Takuro Tamayama & Tiger Tateishi
Kunié Sugiura
Masaomi Yasunaga
Miho Dohi
Wataru Tominaga
Naotaka Hiro
Parergon: Japanese Art of the 1980s and 1990s
Tadaaki Kuwayama

– 2018 –

Toshio Matsumoto
Kentaro Kawabata
Kansuke Yamamoto
Kazuo Kadonaga: Wood / Paper / Bamboo / Glass

Kimiyo Mishima: Paintings

Shomei Tomatsu: Plastics

Press:

 -2025-

Artillery Magazine, Sawako Goda 

-2024-

Artsy, Nonaka-Hill

Richesse, Nonaka-Hill Kyoto

Bijutsutecho, Nonaka-Hill Kyoto

The Art Newspaper, Nonaka-Hill Kyoto

Meer, Kyoko Idetsu

Bijyutsutecho, Masaomi Yasunaga

Switch, Masaomi Yasunaga

ARTnews JAPAN, Masaomi Yasunaga

Richesse, Masaomi Yasunaga

Art Basel,  Daisuke Fukunaga, Imai Ulala

Art Basel, Kazuo Kadonaga, Sofu Teshigahara 

-2023-

ADF webmagazine, Yasuo Kuroda, Tatsumi Hijikata

e-flux, Sanya Kantarofsky, Yasuo Kuroda

Los Angeles Times, Kenzi Shiokava

Artillery, Masaomi Yasunaga

Contemporary Art Daily Shuzo Azuchi Gulliver

- 2022 -

Contemporary Art Daily, Tomohisa Obana

ARTE FUSE, Daisuke Fukunaga

Contemporary Art Daily, Daisuke Fukunaga

Contemporary Art Review Los Angeles (Carla), Daisuke Fukunaga

What's on Los Angeles, Daisuke Fukunaga

Hyperallergic, Daisuke Fukunaga

Artillery, Kentaro Kawabata
Larchmont Buzz, Kentaro Kawabata

- 2021 -

Art Viewer, Natsuyasumi: In the Beginning Was Love
Hyperallergic, Natsuyasumi: In the Beginning Was Love

Art Viewer, Takashi Homma

Hyperallergic, Busy Work at Home

Art Viewer, Busy Work at Home

Hyperallergic, Ulala Imai

Contemporary Art Review Los Angeles (Carla), Ulala Imai

Contemporary Art Daily, Ulala Imai

artillery, Ulala Imai

Special Ops, Ulala Imai

Art Viewer, Ulala Imai

artillery, Matsubayashi & Trevor Shimizu

– 2020 –

Ceramic Now, Sterling Ryby and Masaomi Yasunaga

Hypebeast, Sterling Ryby and Masaomi Yasunaga

Art Viewer, Sterling Ruby and Masaomi Yasunaga

Air Mail, Sterling Ruby and Masaomi Yasunaga

Los Angeles Times, Kaz Oshiro 

ArtnowLA, Kaz Oshiro

What's on Los Angeles, Kaz Oshiro

KCRW, Kaz Oshiro

Tique, Kaz Oshiro

Contemporary Art Daily, Kaz Oshiro
Art Viewer, Kaz Oshiro
Contemporary Art Daily, Sofu Teshigahara
Art Viewer, Sofu Teshigahara
KCRW, Sofu Tsshigahara
Hyperallergic, Nonaka-Hill
Los Angeles Times, Keita Matsunaga

 – 2019 –

Los Angeles Times, Tatsumi Hijikata
Art Viewer, Tatsumi Hijikata, Eikoh Hosoe
Contemporary Art Review  Los Angeles, Tatsumi Hijikata, Eikoh Hosoe

ArtAsiaPacific, Yutaka Matsuzawa

Los Angeles Times, Tatsumi Hijikata

AUTRE, Tatsumi Hijikata, Eikoh Hosoe
Los Angeles Times, Nonaka-Hill

ARTFORUM, Takuro Tamayama, Tiger Tateishi

Art Viewer, Takuro Tamayama, Tiger Tateishi

KCRW, Nonaka-Hill

LA WEEKLY, Nonaka-Hill

AUTRE, Takuro Tamayama, Tiger Tateishi
ArtsuZe, Takuro Tamayama, Tiger Tateishi

ARTFORUM, Review: Tadaaki Kuwayama, Rakuko Naito

Art Viewer, Masaomi Yasunaga, Kunié Sugiura
Los Angeles Times, Masaomi Yasunaga

KQED, Tadaaki Kuwayama, Rakuko Naito

Contemporary Art Daily, Naotaka Hiro, Wataru Tominaga, Miho Dohi

Los Angeles Times, Miho Dohi

Los Angeles Review of Books, Miho Dohi

Bijutsu Techo, Naotaka Hiro, Wataru Tominaga, Miho Dohi

Art Viewer, Miho Dohi

Art & Object, Parergon

COOL HUNTING, Felix Art Fair

Art Viewer, Tadaaki Kuwayama

artnet news, Nonaka-Hill

Contemporary Art Review Los Angeles (Carla), Tadaaki Kuwayama 
– 2018 –
Art Viewer, Kentaro Kawabata
Contemporary Art Daily, Kazuo kadonaga
Los Angeles Times, Kazuo Kadonaga
ARTFORUM, Kazuo Kadonaga
Contemporary Art Daily, Shomei Tomatsu
KCRW, Kimiyo Mishima, Shomei Tomatsu

 

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